The Future of Human Space Exploration

Transformation and Self-Realization in the Play A Doll’s...

â€Å"A Doll’s House† In the play â€Å"A Doll’s House† by Henrik Ibsen, Nora goes through a transformation of self-realization. Nora lives a doll-like existence. she responds lovingly to her husband’s pet names such as â€Å"my little lark† or â€Å"my little squirrel† (Ibsen, 793). She does not mind playing a role for her husband. As the play progresses, Nora show that she is not a little girl. She understands how business work by taking out a loan behind her husband’s back to save his life. When she is blackmail by Krogstad, her eyes open to her unfulfilled and underappreciated life. she realizes that she been putting on a show for her husband. Nora has pretended to be someone else in order to fulfilled a role for not only her husband but also her father†¦show more content†¦It is parallel to Nora’s life when she tells Torvald that no one can see her in her dress until the evening of her tarantella dance. She is the tree that nobody can see unti l it is â€Å"dressed†. A life cycle of Christmas trees is that they are grown in their natural settings, then chopped down and moved into a house where the family decorates it while it is dying. This can be related to Nora’s life she no longer lives with her father and is taken out of her natural settings, in a sense decorated for Davis 3 Torvald to look at something pretty. When the tree is stripp of its ornaments with its burnt down candle ends on it’s disheveled branches. It reflects how Nora’s is feeling stripped of her â€Å"decorations† and disheveled from Krogstead’s blackmail letter. Now that Krogstad is fired from the bank, He is blackmailing Nora for her getting a loan through signing her dying father’s signature. When Torvald finds out about Nora’s crime, She expect sympathy from Torvald about her dilemma because he said to her that he fantasizes about risking his life to save Nora’s. â€Å"Do you know, Nora, I have often wished that you might be threatened by some great danger, so that I might risk my life’s blood, and everything, for your sake† (Ibsen, 833). Once given the opportunity, however; Torvald shows no intention of sacrificing his life or anything for Nora, thinking only about his appearances. His selfishness becomesShow MoreRelatedAnalysis Of Henrik Ibsen s A Doll s House 1381 Words   |  6 PagesThe Role of Symbolism in Nora’s Transformation from Repression to Liberation in A Doll’s House The play in prose A Doll’s House is written by Henrik Ibsen, and set in Norway in 1879. By inserting symbols into the storyline, Henrik Ibsen reveals the theme of female submissiveness and male superiority during the 19th century and highlights character revelation in the play, namely through Nora’s transformation from being repressed to being liberated. Ibsen includes a variety of symbols throughoutRead MoreEssay Feminism in Literature1552 Words   |  7 PagesBooks, plays, and movies that depict culture and social life often make statements about social issues such as gender roles, racism, and class distinction. Stories set up a context in which characters relate, often representing â€Å"stock† characters chosen from society and placed in situations where their stereotypical behaviors—and sometimes their breaking of these stereotypes—are highlighted. As feminism became a popular movement in Western countries in general and the United States in particularRead MoreA Doll s House By Henrik Ibsen994 Words   |  4 PagesIn A Doll’s House, a play by Henrik Ibsen, he adds many hints about the role of society and how the female gender was being treated during that time. Readers have observed from this play that Ibsen believed about the roles of society, equality between men and women, and the idea of feminism. This play is where the readers can see and understand how things were like at the time, and what Ibsen believed about the issues. Norma Helmer, the main character from this play tries to strive towards the ideaRead MoreA Dolls House1069 Words   |  5 PagesA Doll’s House takes place in 19th century Norway and Ibsen provides the audience a view of the societal shackles of the era that would imprison women in their own houses. Ibsen introduces Mrs. Linde at early stage of the play as Nora’s old school friend with whom Nora could share her secret and this serves as a way of letting the audience know about Nora’s struggles. Mrs. Linde is an independent woman whose character serves as a foil to Nora’s character in the play. Throughout the play, A Doll’sRead MoreEssay on Theme of Self-discovery in The Awakening and A Dolls House1121 Words   |  5 PagesThe Theme of Self-discovery in The Awakening and A Doll House      Ã‚  Ã‚   In Chopins The Awakening and Ibsens A Doll House, the main characters each experience an awakening. Although they lead different lives, Nora Helmer and Edna Pontelliers respective awakenings are caused by similar factors. From the beginning, neither character fits the standard stereotype of women in the society in which they lived. Another factor that influences Nora and Ednas awakenings is their marital relationship. NeitherRead MoreA Doll s House By Henrik Ibsen969 Words   |  4 PagesLiberty for Nora In 1879, a revolutionary feminist play called â€Å"A Doll’s House† was born. It is a three act play written by Henrik Ibsen. â€Å"A Doll’s House† is a social drama that demonstrates how women are submissive to marriage and to society. The culture at the time considered women week and domestic. The plot is centered on a woman named Nora. During the play Nora figure out she is not happy and she decides to take control over her life. This play is still considered a model for feminists’ rolesRead More A Comparison of Individual Responsibility in Oedipus Rex and A Dolls House4312 Words   |  18 PagesIndividual Responsibility in Oedipus Rex and A Dolls House    In Sophocles Oedipus Rex and Ibsens A Dolls House, the main characters - Nora and Oedipus, are both constructed to illustrate flaws in society.   Oedipus psychological evolution sees him begin as an all-powerful, righteous king, who seemingly through no fault of his own murders his father and marries his mother.   His evolution ends with his self-blinding, an action which Sophocles uses to establish the true freedom of the individualRead MoreIbsen11859 Words   |  48 PagesM.F.A. Committee Member ______________________________ Kenneth Cleaver, Ph.D. Committee Member ______________________________ James Nutter, D.A. Honors Director ______________________________ Date Forshey 3 Abstract In Henrik Ibsen’s plays, A Doll’s House, The Wild Duck, The Lady from the Sea, and Hedda Gabler, the theme of captivity is demonstrated in the female protagonists Nora, Hedvig, Ellida, and Hedda. The theme of captivity also serves as a performance guide for the portrayalRead MoreA Dolls House by Henrik Isben1646 Words   |  7 Pagesand lack of civil rights were the primary issues for women. In the play A Doll’s House, Henrik Isben creates the realization of female oppression through the creation of the character, Nora. Nora is a woman, whose whole life is ruled by either her father or husband. Nora Helmer, tries hard to perform the roles expected of a woman, which, however, has led to her sacrifice of individual ideals and fulfillment of personal freedom. Ibsen reveals Nora’s grasp of independence through his use of symbolismRead MoreCritical Attitude Toward Marriage and Duty in the Play, A Dolls House by Henrick Ibsen985 Words   |   4 PagesIn the play â€Å"A Dolls House† by Henrik Ibsen, the controversy within the Helmer family conveys a critical attitude toward marriage and duty. The drama traces the awakening, self-realization and transformation of the main character, Nora Helmer. Having borrowed money from the character Krogstad by falsifying her father’s signature, Nora was able to afford a trip to the south for the sake of saving her sick husband, Torvald Helmer’s life. Since then, Nora has been secretly working in order to pay off

Why do Nurses earn less than rock stars Free Essays

There are many reasons as to why nurses earn less than rock stars. The first, most important one, is to recognise that we are comparing these two respective salaries on a statistical basis, most likely average such as a mean, or median wage. We must take into account the range of salaries, to see how much the data we are comparing is skewed. We will write a custom essay sample on Why do Nurses earn less than rock stars? or any similar topic only for you Order Now A nurses salary cannot really vary much, as rates in hospitals (in the same area) will be similar, only varying slightly for higher positions within the nursing profession. This is in complete contrast to what rock stars can earn – some can earn just $10 an hour, despite enjoying tremendous popularity. Others, however, can earn millions and billions, and therefore, this will mean that the results for pop stars’ wages will be skewed, given the wide range of salaries. Wages are set very much like price is – by market equilibrium. Looking at the labour market, we can see that, once immensely popular, demand for an artist becomes very inelastic – people will buy his merchandise even if the price increases quite a lot. Supply for nurses, on the other hand, may be elastic, as there are plenty of individuals who are willing to try and seek employment in that field, assuming that the skills required aren’t very hard to come by (to enter the profession). On the other hand, it can be argued that supply for artists is inelastic, due to the relatively small numbers of people in the industry. This argument can easily be refuted by pointing out the hordes of riff-raff and other emotional junkies who pander towards an illustrious career of fame and fortune, and attempt to become rock-stars. However, if they are not famous or are deemed lacking of the talent needed to earn that label, they will most likely not be counted as a â€Å"rock star† and they will find it hard to enter the music industry and therefore their efforts will be in vain, and they will be discounted by those seeking to make their fortune by accumulating and manipulating market trends. Thus, we can see that demand and supply is inelastic for rock stars, while elastic for nurses. If you draw a demand and supply diagram, who will be able to see that the rock stars’ wages will be determined by a higher market equilibrium than their hospital-working (female) counterparts. Immobility of labour is another thing which contribute towards the supply of the respective professions. Being a rock star is unlikely to be one of the first or main jobs an individual will undertake in his life. Thus, stars will probably have other vocational skills ready to be of use if they suffer an untimely demise at the hands of fickle fans. This will encourage people to try and become rock-stars as they will be able to find another job later or before they strike success. Nurses, on the other hand, have less of a reason to be as occupationally mobile, as their career is more likely to be a steady, longer one, quite predictable in nature. This would mean that nurses would have to aim to try and stay in that profession for a long period of time, which may actually discourage some people from becoming nurses. However, the mobility of labour seems o have little impact in actuality as it seems that this would make supply of labour more inelastic and elastic for nurses and pop stars respectively. Geographical mobility of labour also seems to have little bearing on the supply of labour. Lastly, there are many benefits to be gained from each profession. Rock stars have the opportunity to make millions very quickly, become famous, recognised and more influential. Nurses’ benefits lie more in the vicinity of pension payments, and possibly the knowledge that you are helping the community. These seem to be the main reasons as to why nurses get paid less than pop-stars. How to cite Why do Nurses earn less than rock stars?, Papers Why do Nurses earn less than rock stars Free Essays There are many reasons as to why nurses earn less than rock stars. The first, most important one, is to recognise that we are comparing these two respective salaries on a statistical basis, most likely average such as a mean, or median wage. We must take into account the range of salaries, to see how much the data we are comparing is skewed. We will write a custom essay sample on Why do Nurses earn less than rock stars? or any similar topic only for you Order Now A nurses salary cannot really vary much, as rates in hospitals (in the same area) will be similar, only varying slightly for higher positions within the nursing profession. This is in complete contrast to what rock stars can earn – some can earn just $10 an hour, despite enjoying tremendous popularity. Others, however, can earn millions and billions, and therefore, this will mean that the results for pop stars’ wages will be skewed, given the wide range of salaries. Wages are set very much like price is – by market equilibrium. Looking at the labour market, we can see that, once immensely popular, demand for an artist becomes very inelastic – people will buy his merchandise even if the price increases quite a lot. Supply for nurses, on the other hand, may be elastic, as there are plenty of individuals who are willing to try and seek employment in that field, assuming that the skills required aren’t very hard to come by (to enter the profession). On the other hand, it can be argued that supply for artists is inelastic, due to the relatively small numbers of people in the industry. This argument can easily be refuted by pointing out the hordes of riff-raff and other emotional junkies who pander towards an illustrious career of fame and fortune, and attempt to become rock-stars. However, if they are not famous or are deemed lacking of the talent needed to earn that label, they will most likely not be counted as a â€Å"rock star† and they will find it hard to enter the music industry and therefore their efforts will be in vain, and they will be discounted by those seeking to make their fortune by accumulating and manipulating market trends. Thus, we can see that demand and supply is inelastic for rock stars, while elastic for nurses. If you draw a demand and supply diagram, who will be able to see that the rock stars’ wages will be determined by a higher market equilibrium than their hospital-working (female) counterparts. Immobility of labour is another thing which contribute towards the supply of the respective professions. Being a rock star is unlikely to be one of the first or main jobs an individual will undertake in his life. Thus, stars will probably have other vocational skills ready to be of use if they suffer an untimely demise at the hands of fickle fans. This will encourage people to try and become rock-stars as they will be able to find another job later or before they strike success. Nurses, on the other hand, have less of a reason to be as occupationally mobile, as their career is more likely to be a steady, longer one, quite predictable in nature. This would mean that nurses would have to aim to try and stay in that profession for a long period of time, which may actually discourage some people from becoming nurses. However, the mobility of labour seems o have little impact in actuality as it seems that this would make supply of labour more inelastic and elastic for nurses and pop stars respectively. Geographical mobility of labour also seems to have little bearing on the supply of labour. Lastly, there are many benefits to be gained from each profession. Rock stars have the opportunity to make millions very quickly, become famous, recognised and more influential. Nurses’ benefits lie more in the vicinity of pension payments, and possibly the knowledge that you are helping the community. These seem to be the main reasons as to why nurses get paid less than pop-stars. How to cite Why do Nurses earn less than rock stars?, Papers

An Experiment in Edge Damage Essay Example For Students

An Experiment in Edge Damage Essay When a stone flake is used in specific applications, such as sawing or whittling, distinct wear patterns are formed. In addition, unique patterns are also formed by the surface on which the tool is used. Wood, meat, hide, and bone all leave dissimilar scars on a lithic device. Modern archaeologists have devised a method, called use-wear analysis, in which attributes from archaeological remains are compared to modern examples whose function is known. This allows archeologists to determine the function of a prehistoric tool by its wear patterns. The purpose of this experiment is to note the wear patterns caused by sawing wood, and to ultimately decide if use-wear analysis is indicative of the function of past tools. A small obsidian flake would be used in this experiment. It was approximately forty-eight millimeters long, thirty-four millimeters wide, and seven millimeters thick. From the ventral view, the left side was serrated. This seemed like the most appropriate side to use as a saw. A small round twig, a centimeter thick, from a local deciduous tree was used as the wood subject. The exact species of the tree is unknown; however, it was a very hard wood and a light brown/tan color. Initially, medium pressure was used on the flake and it was moved in bi-directional strokes across the stick. After about thirty strokes, the use edge angle prohibited the flake from cutting further in to the stick. The cut was roughly three millimeters deep and three quarters millimeters wide. It could be determined that a tool, in this particular shape, could not be used as an effective saw. However, use-wear patterns could still be inferred. The flake was moved to another portion of the stick and the same process was repeated. This time the cut was only about two millimeters deep, before termination. Also, small pieces of obsidian were left in the cut and many more small pieces were mixed with sawdust on the table. The flake seemed to be deteriorating quite quickly. In addition, the pressure required to make the second cut was far more than the force needed for the initial cut. The gradual increases in pressure continued in this manner until nine cuts were made. After this, the sa w had been dulled to the point of being ineffective. In all, the procedure required roughly four hundred strokes, and wore about four millimeters of the left side of the flake. The most prominent change to the flake occurred on the serrated edge. Not only had it lost nearly four millimeters, but also the serration was rounded and no longer sharp. Furthermore there were many places on the flake were fairly sizeable pieces had come off. This is not surprising because obsidian is known for being brittle. Many of the pieces had fallen off do to the heavy pressure the flake was enduring, and were not a result of the sawing itself. What was most interesting about the wear patterns in this activity, though, was the progress nature of the deterioration. After about the third cut, the serration was already dull. More cuts just dulled the flake more and contributed to its loss of mass. The overall damage to the flake throughout the experiment seemed pretty consistent. This was surprising, because as the experiment went on, more force was used to saw the wood, however the wear did not increase. This is most likely a result of the obsidian being thicker further from th e edge, and therefore more resilient to the pressure. As stated earlier, the thickness of the flake made it a poor saw, past a certain depth. A narrower blade would have done a better job. This flake was an expedient tool and had an informal design. Therefore it obviously could not perform the task as well as a formal tool. The physical dimensions of the flake prohibited alliteration of the shape, as far as thickness was concerned, and no sort of modification could make the tool work better. .ueabe7a822e39d8226cadbc1f6567b69b , .ueabe7a822e39d8226cadbc1f6567b69b .postImageUrl , .ueabe7a822e39d8226cadbc1f6567b69b .centered-text-area { min-height: 80px; position: relative; } .ueabe7a822e39d8226cadbc1f6567b69b , .ueabe7a822e39d8226cadbc1f6567b69b:hover , .ueabe7a822e39d8226cadbc1f6567b69b:visited , .ueabe7a822e39d8226cadbc1f6567b69b:active { border:0!important; } .ueabe7a822e39d8226cadbc1f6567b69b .clearfix:after { content: ""; display: table; clear: both; } .ueabe7a822e39d8226cadbc1f6567b69b { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ueabe7a822e39d8226cadbc1f6567b69b:active , .ueabe7a822e39d8226cadbc1f6567b69b:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ueabe7a822e39d8226cadbc1f6567b69b .centered-text-area { width: 100%; position: relative ; } .ueabe7a822e39d8226cadbc1f6567b69b .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ueabe7a822e39d8226cadbc1f6567b69b .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ueabe7a822e39d8226cadbc1f6567b69b .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ueabe7a822e39d8226cadbc1f6567b69b:hover .ctaButton { background-color: #34495E!important; } .ueabe7a822e39d8226cadbc1f6567b69b .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ueabe7a822e39d8226cadbc1f6567b69b .ueabe7a822e39d8226cadbc1f6567b69b-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ueabe7a822e39d8226cadbc1f6567b69b:after { content: ""; display: block; clear: both; } READ: Emily Elizabeth Dickinson EssayAfter the post-use measurements and drawings were done, the flake was blunted by pushing it against a hard object. The purpose of this procedure was to see if there was a difference between the simple blunting of the flake, and the erosion do to sawing wood. The results were very clear. The blunting of the flake results in much different wear patterns than sawing. After sawing, the serration is rounded but still existent. Also the basic outline of the pre-use flake is preserved. Blunting eliminates the serration and smoothes out the flakes natural changes in width. There is a distinct difference in the wear patterns of sawing and blunting. Th e two would be hard to mix up. This experiment was a macroscopic experiment, however, and did not allow for microscopic analysis. Therefore, it was not unexpected that tiny cuts made by the wood could not be seen in the flakes utilized edge. Nevertheless, the macroscopic wear patterns on the flake are convincing of this one fact: Use wear analysis can be accurately used to infer the function of prehistoric tools. The unmistakable dulling of the serration and mass loss of the flake could not be confused with other activities. Whereas some activities such as whittling and scraping can produce similar wear patterns, this experiment has concluded that wear patterns resulting from sawing are strictly unique. However, the same cannot be said for the material on which the tool was used. It could be concluded that bone would leave similar wear patterns as wood on the flake. Perhaps, though, the bone would do it more quickly, in possibly two hundred strokes. In spite of this use wear analysis is still one of the foremost methods for determine the application of past tools, and with the right training, good archaeologists may find methods, perhaps microscopically, to learn on what material the tool was used and therefore transcend all limits of the experiment.